Denae Dyck and Marjorie Stone, “The ‘Sensation’ of Elizabeth Barrett Browning’s Poems before Congress (1860): Events, Politics, Reception”
Elizabeth Barrett Browning’s Poems before Congress paradoxically addresses a political event that never took place: a meeting of European powers to discuss the “Italian question” planned for January of 1860. Nevertheless, the collection addresses several momentous historical developments, including the Second Italian War of Independence in 1859, the intervention of Napoleon III of France in the Italian struggle, and the international conflict his intervention precipitated. Indeed, the book’s publication and the sensation it created in themselves constitute a plurality of events, since the collection appeared under differing titles in England and America and encountered differing responses in each country. Contrary to the still dominant critical view that the volume was almost universally denounced, its reception was shaped by diverse locations, shifting chronological contexts, and conflicting political affiliations. Close analysis of the reviews underscores the importance of these wider contexts, which influence what otherwise appear to be primarily literary or aesthetic judgements. At the same time, analysis of varying responses to not only “A Curse for a Nation” but also “Napoleon III in Italy” and other poems in the volume demonstrates a number of recurring points of contention. These include the collection’s title, the politics of interventions across national borders, English liberalism, the nature of democracy, cosmopolitanism versus nationalism, women writers in relation to politics, poetic form, and, most of all, EBB’s representation of Napoleon III—the issue that is front and centre in most of the 1860s reviews and that shaped, in turn, reactions to all the rest.
A survey of the negative twentieth- and twenty-first-century critical reception of the Liberal; a summary of the history of the journal and a re-evaluation of the philosophical and political coherence of the journal, focusing on its defence of religious liberty and suggesting that religious free thought is a previously overlooked component in the politics of liberalism. The criticism of doctrinal rigidity and advocacy of different forms of religious toleration evident in the four issues of the Liberal support the claim that the journal forms a lucid and intelligible cultural intervention.
Marjorie Stone, “Joseph Mazzini, English Writers, and the Post Office Espionage Scandal: Politics, Privacy, and Twenty-First Century Parallels”
In 1844, an English radical MP affiliated with the Chartist movement petitioned the House of Commons, charging that Sir James Graham, Secretary of State for the Home Office, had secretly authorized the opening of the letters of exiled Italian nationalist and resident of London, Joseph Mazzini, spying upon their contents. The ensuing Post Office espionage scandal is a pivotal event in British and European history, represented—like Mazzini himself—from conflicting perspectives and shaping a host of subsequent developments. It provoked “anti-Graham” envelopes and parodies in Punch, intensified British sympathy for the Italian liberation and unification movement for which Mazzini was the principal theorist, and influenced British policy towards the 1847-49 revolutions in Italian states struggling for independence from Austrian overlords and autocratic Bourbon kings. The scandal and the networks it forged also shaped British party politics, Chartist international alliances, and emerging conceptions of rights to privacy and limits on state surveillance. Mazzini, revered as an apostle by many, was viewed as a dangerous subversive by many others, including the Pope and Prince Klemens von Metternich, Foreign Secretary to the Austrian Empire, later one of Henry Kissinger’s diplomatic models. As the scandal unfolded, evidence indicated that Graham and the Foreign Secretary Lord Aberdeen shared information from Mazzini’s letters with the Austrians, linking British espionage to the execution of the Bandiera brothers, Italian revolutionaries, in Naples in July 1844. This essay surveys diverse responses to Mazzini and the literary and cultural as well as the political repercussions of the 1844 scandal. Prominent English writers, notably Thomas Carlyle, came to Mazzini’s defence, especially indignant over violations of privacy, while others—including Robert Browning, Elizabeth Barrett Browning, George Meredith, Algernon Charles Swinburne, and George Eliot—went on to write works influenced by the charismatic, controversial Italian nationalist. An epilogue notes some of the 1844 event’s parallels with current controversies over communications hacking (WikiLeaks, the News of the World phone hacking) and appropriate limits on state secrecy and surveillance in the wake of 9/11, 7/7, anti-terrorism legislation, and the “rendition” of information and/or persons such as Canadian-Syrian Maher Arar to oppressive regimes by democratic countries.
Germaine de Staël’s Corinne, Or Italy was published in French in 1807 and was quickly translated into English. It became a touchstone for nineteenth-century conceptions of women’s creativity and the life of the woman writer, as well as an important formulation of analogies between models of artistic creation and political systems. The novel’s portrayal of Italian improvisers also helped produce the modern usage of “improvisation” and related terms in English.
“Il Risorgimento”, the popular term for Italian Unification, is a complex and contentious term that connects two highly symbolic moments in the peninsula’s history: the crowning of Napoleon as King of Italy in 1805 to the 1861 unification of most of Italy with the military and diplomatic assistance of his nephew Napoleon III and King Victor Emanuel of Piedmont. The complex and contradictory set of myths that insist on the “beautiful legend” of the Risorgimento cover over the very difficulty and controversy of the notion of Italy itself.